Posts Tagged ‘art’

When You’re Reached The End

Last year, I went through a period of time when eighteen people I knew were going through breakups and divorces. There is never a more painful or bitter moment when you realize that everything you worked for has come crashing down, and all you feel you’ve got to look forward to is the end. Endings can often say more about a person than beginnings. Endings can be confusing, ambiguous, abrupt, unfair, unsupported, surprising, clean, growth-producing, or overdone. But in many cases, we actually have a choice in how things end, even if that end is our response to death and dying. Endings are also interesting to look at in regards to art and business, when the curtain is about to drop, or an idea has been played out and there is nothing more to do or say.

Do you know when to let it go?

I find that some of the most successful stories about art projects and business ventures (and art projects that are business ventures in themselves) involve the collaborators and investors sense of knowing when to end the thing. When does something need to die or go away? When does it need to be passed to someone else and given new life? Like vintage clothes, somethings get loved on elsewhere. Others just get misused…or not used at all, depending on the energy of the owner. But all of them have a sense of when it’s time to jump off the boat or turn the wheel over to someone else.

Skip over to 7:30 to catch the line that has been playing in my mind since I saw it. Sid says, “A ha ha, do you ever get the feeling that you’ve been cheated?” It comes at the end of the tour, described by one person I know as nothing short of train wreck. The audience gets a miserable song, and then the concert ends with Sid’s line. Well, it’s a great wake up call to knowing when to end! At concerts, the lights come up, the musicians walk of the stage, and the audience applauds. But in other artistic ventures, we’re often on our own to figure out when something has seen its life.

While futzing at the computer the other day, I had “America’s Got Talent” playing on the Google TV. I actually appreciate that the show plays the acts that got quickly canned, as well as the ones that surprise and delight with sheer talent. One of the acts involved a middle aged singer (who was not a professional) and two backup dancers (who were not professional dancers). They were canned by the judges within ten seconds of the opening of their act, but the lead member refused to quit. The audience booed. He kept on singing. The moderator requested the piece be started again: “He hasn’t really warmed up to show you what he can do.” The piece begins again, and it’s still lousy. The audience boos, the judges can him again, and he STILL WILL NOT QUIT. One of the judges makes a comment: this man is the most delusional man in regards to his actual level of talent that the judge has ever encountered.

While that statement is likely true, I think everyone gets robbed when someone doesn’t know when to quit. I got robbed of a minute of my life. The audience got cheated; the judges were set up. Even the performers weren’t handled well; perhaps they should never have been allowed on the stage unless they were coached to accept a humiliating end for the sake of entertaining the masses.

I found moment wickedly painful to watch. This is the perfect example of someone not knowing when to quit [two other "dancers" in other acts fell off the stage by accident, which provides natural "endings" and indications that they should stop]. Hopefully, it doesn’t take something like falling off a stage for you or I to consider terminating projects and ventures that need to end, or recreating something with the right pieces in place.

I’ve put more than my share of things in the ground (playing the flute, for example, which I loved, but didn’t really have the soul for it). Have you? Have you ever noticed what comes after the end or the “death” of the thing? Maybe you’ll be “a ha ha”ing too.


Artwalk and Performance Art

Old Rainier Brewery’s (ORB) next artwalk is Saturday, May 14, and we want to let you know that we’ve prepared a growing network of resident and guest artists to entertain, wow, and beautify your senses from your ears to your feet. Attending one or more of Seattle’s 25 artwalks helps artists peddle their wares, but also gives local people opportunities to interact with and support second-generation artists who have exploded onto the area artwalk’s 30-year history.

For more information about Seattle area artists, check out the article, “Learning to Walk” (CityArts May 2011) by Mark Baumgarten, who includes a sweet Q and A with his mother about preparing to attend an artwalk, as well as how artwalks can improve themselves. It should be of interest to you that ORB’s artwalk provides four of the five ideas that improve an artwalk, including having ours in an enclosed space (no fear of a rainout), free and plentiful parking, and good music. Several bands, DJ’d music, and interactive studio presentations are part of the lineup.

Performance art and artwalks are a match made in heaven.

Hips For Hire Studio will be showcasing Dayton Allermain’s project, Projecture, which includes digital photography that can be instantly shared and streamed. All artwalk audience members are invited to come see how it works, and Allermain might just ask you to participate in his project (we’ll have a release for for you).

Included in the three-hour event in the building:
chocolate from a real chocolatier
music
photography
sculpture
paintings
technology
snacks and drinks
a map and game board (with prizes!)

For a listing of the artists, check out this link on Facebook.

The map will help you navigate our historic building effortlessly. Art will be spread out throughout hallways, landings, and studios to make it easier for audience members to find the art. It’s a great indoor date night, it’s free, and it’s fun.

HFH studio plans to offer a burlesque and cabaret theme for August 13, 2011, the date of the next planned artwalk for ORB. Interested people may send in audition video footage or request an in-person audition if you do not have showreel footage. Deadline is July 31, 2011 for submissions. Our artwalk is the second Saturday held once a quarter.

A special thanks to Linda and Amanda of ORBarts (on Twitter) for asking me to get involved in organizing and advertising for the artwalk, and to Pionier Square’s artwalk and local businesses for encouraging to advertise with them about our artwalk. It’s a truly collaborative group that helps everybody involved to be a part of artful living.


I Am Bi-Cultural

Wanna know a secret?

Yes, I am. I am bi, as in bi-cultural.

Here’s how I came out. When I was a kid, I remember feeling disappointed that I would never be a blond, blue-eyed cheerleader. If you think this sounds like a strange thing to pine over, consider the thoughts of a tender twelve-year-old, realizing the blond girl with the drinking problem, who would later sleep with most of the high school football team, would be selected for the best social activities over the geeky Asian girl with the glasses, with a penchant for classical music and punk, and an interest in computers and electronic keyboarding.

I gazed into the mirror one day and said, “This is who I am.” And with something of a wistful sigh, I made a promise to myself not to lose my family’s cultural distinctives, though I had never really possessed the linguistic side of things. I wish I knew back then what I know now: that being bi-cultural (and in some way, tri-cultural with art) could be so fun and incredibly useful. Being bi-cultural truly makes the world your playground.

Two women named I-mei: Grandma and I

The woman pictured to the right is where it all started. My paternal grandmother lives in a small town in Taiwan. Of the many things she did in her active years, she was a practitioner of Oriental Medicine, a city council woman, a representative of women countering domestic violence, a board member of a bank, and a sprite sword dancer. If it wasn’t for her progressive nature, perhaps she would not have encouraged my father to come to America, where I would be later born in Seattle, WA. Because family life can be insular, It would take until I was about four years old when figured out that I was not only American, but Chinese too.

Signs you just might be Chinese:

Your parents speak a Chinese dialect, such as Mandarin, Cantonese, or Taiwanese
You eat things like Pigs Blood Soup (congealed) without questions
You drink hot water all the time, even when it’s warm outside
You learned to eat with chopsticks first
(but didn’t know they were called “chopsticks”)
You’re really good at karoke from being forced to sing all the time
You own at least one “chop” of your signature
You own a bunch of solid gold (soft gold) jewelry from your relatives
You ate rice soup instead of cold crunchy cereal with milk for breakfast
You pronounce “Android” as “N-droid”
You might queue for the train, but push and shove your way onto that train anyways

No random button pushing, ya hear?

Signs you might also be American (and thus, bi-cultural):
You get teary when you hear the National Anthem being sung at ball games
You prefer to text in English, even if you can read characters
You never once thought of buying underwear or red bean popsicles at 7-11
You understand the strange national sensation associated with bacon
Your T-shirts are devoid of Chinglish (unless you collected Chinglish on purpose)
You are free from the strange fascination with fluffy eyelashes
If you are a man, you don’t carry a man purse in public
Your meals are typical no more than three types of food on the plate

Chinese drumming with Ten Drum of Tainan, Taiwan

All jokes aside, the best thing about being bi-cultural is the addition of another lens on life, art, and beauty. Like language, culture can be a lens that creates boundaries or frees you of them. Truly owning both cultures allows me to float between worlds, to accept things others may reject, and fuse aspects of each into new options. The third culture — that is, art — adds an additional texture through musical language, color, and movement. Without a single word being shared, we can all enjoy a performance of Chinese drums and feel its powerful beats in our belly.

I grew up with so much emphasis on purity and wholeness that I had no idea how wonderful fusion and hybrid could be. Over the next weeks, I’ll be pumping out blog posts about everything from dating online (follow up), Taiwan art, culture, language, and the effects of technology on urban life. You’ll hear about the Old Rainier Brewery Artwalk May 14, 2011, and how Seattle’s art community is being revitalized by a fusion of artists and collaborators. All I can say is this: it’s a whole new world.

P.S. Speaking Chinese again is both a delight and a challenge for me. Imagine what thinking in another language does to the way you see things. On a funny note, my English regressed by the end of my two week trip to Taiwan in April. More on how that shapes the way we look at art in a future blogpost.


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Seattle World Eats Upcoming Schedule

Do you live in Seattle?

Do you like world cuisine? How about world dance? Wine and noms?

I created #SeattleWorldEats for Twtvite.com, so locals could find out where I'm dancing, producing world dance shows hosted in restaurants and venues serving exotic food, or catching Hips For Hire branded events around town featuring the delicious cuisine and wine.

Next Seattle World Eats events:

July 1, 2011 Spiro's Greek Island in Kent. Bellydance shows at 7 and 8 pm.

Wednesday July 6, 2011 Skinny Dip Show at the High Dive in Fremont. 8 pm. Cover charge $10, 21 and up. Bellydance and Burlesque show to the theme, "New York: The Big City"

July 8, 2011 Costas Opa in Fremont. Bellydancing at 7:30 pm (single set only).

July 15 - 17 Mediterranean Fantasy Festival, Hiawatha Center in West Seattle (my bellydance slot is 6 pm July 16 on the indoor stage).

July 21-24 Comic Con in San Diego, CA. If you're there, please follow me on Twitter, and let's Tweetup!

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