Posts Tagged ‘music’

Mix and Match With Mashups

After the last artwalk in the historic Old Rainier Brewery building, I took some time to think about what I liked about curated artwalks and art events in general. One element I enjoy is how clever organizers and museum curators combine disperate elements in a single gallery space. My personal preference is to mix and match with a kind of physical mashup. In honor of that aesthetic, here are a few artistic and life hacking mashups for your artistic life.

Old And Young, East And West

There are some mashups music-wise that you just need to experience live to fully appreciate. The Charles Lloyd Quartet is one of them. They recently played at the Bellevue Jazz Festival to a sold-out crowd.

Charles Lloyd

Zakir Hussain

Unfortunately, no picture taking from the audience was allowed, but even pictures do not do this quartet credit. Imagine for a moment the legendary Charles Lloyd as a wandering shaman of jazz, floating around the stage while healing the audience with the soulful tunes and storytelling notes. Occasionally, Lloyd picked up shakers, rattled the piano and gave it back to young virtuoso Jason Moran, and delighted two lengthy drum therapy sessions between tabla player Zakir Hussain and Eric Harlund on drums.

From an excerpt of Charles Lloyd: “Music is a healing force. It has the ability to transcend boundaries, it can touch the heart directly, it can speak to a depth of the spirit where no words are needed. It is a most powerful form of communication and expression of beauty.”

Lash Out With These Fluffy Ones

Eyes are very alluring. But on stage, artists must learn the tricks of the trade to help the audience in the furthest reach of the room to see the expression of the eyes. While I am wholeheartedly against the Westernization of the typical shape of the asian eye, I welcome the use of temporary false eyelashes, eye lash extensions, and mascara.

Eyelashes: Talk to your audience

I even like mascara on men. Yes, I have gotten used of walking into the MAC store and seeing the guys at the counter wearing black mascara. It just reminds me of the boy bands of the 1990′s *sigh*.

My new-to-me product is Revlon’s CustomEyes in waterpoof blackest black (noir intense), with lash separators on a chubby brush, and two dial-up settings: length and drama, and length and definition. I know some of you girly-girls only buy your mascara from a department store, but the way I go through mascara, I’d be broke for something you put on and take off every day. I bought two of these mascaras as a BOGO deal through a drug store, and you can probably get a similar deal by buying online in conjunction with your other purchases; otherwise, it retails for about $5 each.

Mascara helps eyes look "open" and expressive, on and off stage

Of course, I read someone else’s negative review of this product. For entertainment, read her rant about the same product. I personally didn’t find it clumpy at all. But I do agree that the dials might not make a difference; however, I didn’t pay anything extra for them.

Making It White Again

I have a confession to make. I threw out a perfectly good electric toothbrush because the outside casing had oxidized. Every time I touched the plastic, I had an icky feeling. Eventually, it sat in its charging stand, unused. My dentist noticed I developed a tiny amount of gum recession from over-brushing, and inquired about it. I had to tell him that I had started to use a regular toothbrush again, and maybe, just maybe, I was under a little stress. He knew that I liked to brush my teeth up to five times a day, so he suggested I get a new electric toothbrush that had a different finish on the plastic part so I wouldn’t have the same oxidation problem. I tossed the old one out, and bought a new one.

When it goes yellow and brown, I say, "Yuck".


But what happens if the item that oxidizes on you is something a bit more expensive, and not old at all? I bought a pair of high end, couture-brand eyeglasses, and after the second year of wear, I noticed that the white plastic on the inside of the nosepiece had begun to oxidize. Yuck! It wasn’t an option to buy metal finished lenses, as they would have been too heavy for my prescription. Want to know what you can do about oxidizing plastic?

From the cleaning website howtocleanstuff.net, you need to determine what kind of job you have on your hands. Here is one sample from the site on how to clean ABS plastic:

Peroxide Method (for ABS plastic)
You Will Need:
Hydrogen peroxide
Oxy laundry booster
Sunshine or UV light
Water
Bucket or large bowl
Rubber gloves
Goggles

Steps to Whiten the Plastic:
Begin by protecting yourself with rubber gloves and goggles.
Fill the bucket with hydrogen peroxide.
Add ¼ teaspoon of Oxy laundry booster for each gallon of peroxide.
Place the yellowed plastic pieces into the solution and allow them to soak.
The soaking time will vary with most pieces whitening in 2-6 hours. The mixture will last for up to four days before it needs to be replaced. Retr0Bright has also developed a way to make this into a gel that can be spread onto the plastic. This is especially helpful for larger items.
Set the items under a UV light or out in the sunshine.
When the item has reached the desired whiteness, remove and rinse thoroughly to remove any remaining cleaning products.
If necessary, wash with dish detergent and water.

Umm, did you note the need for UV light or sunshine? If you live in a high northern hemisphere city like Seattle, that’s a problem. Finding natural sunlight in Seattle has been like trying to snap a picture of my cat yawning; it’s hit and miss. And, I don’t know about you, but I don’t have a cheap UV lamp on hand either. However, my optician at Optix in West Seattle offered to loan me his spare UV lamp to try this technique out. Instead of soaking the entire set of eyeglasses, however, I am going to only allow the small section of oxidized plastic to be treated with the peroxide mixture. I’ll let you know how it turns out when we conduct our little experiment at home. If it works, pop off those old plastic keys from your white Macbook, and whiten those plastic storage boxes filled with your favorite things.

BTW, if you like these mashup blog posts, please leave a comment. Be sure to put in your two cents on what you’d like to see here.


Artwalk and Performance Art

Old Rainier Brewery’s (ORB) next artwalk is Saturday, May 14, and we want to let you know that we’ve prepared a growing network of resident and guest artists to entertain, wow, and beautify your senses from your ears to your feet. Attending one or more of Seattle’s 25 artwalks helps artists peddle their wares, but also gives local people opportunities to interact with and support second-generation artists who have exploded onto the area artwalk’s 30-year history.

For more information about Seattle area artists, check out the article, “Learning to Walk” (CityArts May 2011) by Mark Baumgarten, who includes a sweet Q and A with his mother about preparing to attend an artwalk, as well as how artwalks can improve themselves. It should be of interest to you that ORB’s artwalk provides four of the five ideas that improve an artwalk, including having ours in an enclosed space (no fear of a rainout), free and plentiful parking, and good music. Several bands, DJ’d music, and interactive studio presentations are part of the lineup.

Performance art and artwalks are a match made in heaven.

Hips For Hire Studio will be showcasing Dayton Allermain’s project, Projecture, which includes digital photography that can be instantly shared and streamed. All artwalk audience members are invited to come see how it works, and Allermain might just ask you to participate in his project (we’ll have a release for for you).

Included in the three-hour event in the building:
chocolate from a real chocolatier
music
photography
sculpture
paintings
technology
snacks and drinks
a map and game board (with prizes!)

For a listing of the artists, check out this link on Facebook.

The map will help you navigate our historic building effortlessly. Art will be spread out throughout hallways, landings, and studios to make it easier for audience members to find the art. It’s a great indoor date night, it’s free, and it’s fun.

HFH studio plans to offer a burlesque and cabaret theme for August 13, 2011, the date of the next planned artwalk for ORB. Interested people may send in audition video footage or request an in-person audition if you do not have showreel footage. Deadline is July 31, 2011 for submissions. Our artwalk is the second Saturday held once a quarter.

A special thanks to Linda and Amanda of ORBarts (on Twitter) for asking me to get involved in organizing and advertising for the artwalk, and to Pionier Square’s artwalk and local businesses for encouraging to advertise with them about our artwalk. It’s a truly collaborative group that helps everybody involved to be a part of artful living.


Funding Your Art

Several years ago, I asked a colleague in the folkloric dance community why dance promoters of a certain genre did not seek sponsorship (translation: financial backing) from individuals and local businesses. A few times I had been hired by promoters to dance in a 300+ show, only to be told after a show that there wasn’t enough money to pay the performers hired at the promised rate (this was before I started having promoters/agents pay by Paypal before the performance). The colleague looked at me like I was an alien with three heads. Ever since then, I’ve kept my eyes and heart open to a variety of ways people can fund their art. Finding funding can be frustrating, but it can also be the way that helps you network and score friends and influencers who will remember and promote your work.

Ever wonder how people look at your ideas?

Art by Sloane Tanen, “Bitter With Baggage Seeks Same”.

Funding your art from an outside source makes sense to me. What I am privy to in my community involves charged arguments over price fixing, consequences of undercutting, and a lot of broken relationships over the years. However, I watch film makers put their films on the Internet for free, collect donations before and after the making of the film, and get entire communities of people involved. Two recent examples:

Browncoats Redemption (Michael Dougherty and Steven Fischer, producer and co-producer). Watch the movie, and donations are given to charity.

Shine (Dan McComb & Ben Medina, producers). Free screenings of the 26-minute documentary available to the public, donations and signed copies of the film support the making of the film. The producers discussed how they went about raising support for the making of the film.

On a much smaller level, even Hips For Hire has teamed up with local businesses to produce shows and split revenue and advertisement costs. Some venues waive the cost of the rental or agree to use their regular advertising space on multiple digital platforms. Link for link exchanges that assist in increasing traffic to websites also alleviate costs. All this extra work serves another purpose: by getting people involved in supporting your art, you widen your network of friends and influencers. When you encounter something one of your supporters would be perfect for, you remember them and make the connection. And they do this for you too.

While there is no guarantee of the outcome, the trend appears to be clear: you must give something for free in order to show people what is of value (and what they should pay for). As artists, we need to treat people as the smart and savvy people they are. Even those out there cutting corners know when something is good enough to pay for. The point of giving something away for free is to show them that the artists behind the work are the “thing” of value, i.e. “there’s more where this came from.”

Don’t get me wrong: I like getting paid for what I do!. Yet some of the performances that stand out the most for me over the last 11 years are the ones I did for little or no pay. What would make these a bit easier to do (and no worries about paying for costumes, props, and coaching) would be to encourage more show producers to seek innovative funding “machinery” via their websites that are not dependent on the individual shows themselves. The most likely candidates for funding would be small businesses and individuals gathered through art networks. Additionally, individual artists should not be discouraged for obtaining grants or local business sponsors who support their work on a regular basis.

Thanks to Dina Lydia and husband, I’ll leave you with a recent video of a performance I did for a small local show.


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Seattle World Eats Upcoming Schedule

Do you live in Seattle?

Do you like world cuisine? How about world dance? Wine and noms?

I created #SeattleWorldEats for Twtvite.com, so locals could find out where I'm dancing, producing world dance shows hosted in restaurants and venues serving exotic food, or catching Hips For Hire branded events around town featuring the delicious cuisine and wine.

Next Seattle World Eats events:

July 1, 2011 Spiro's Greek Island in Kent. Bellydance shows at 7 and 8 pm.

Wednesday July 6, 2011 Skinny Dip Show at the High Dive in Fremont. 8 pm. Cover charge $10, 21 and up. Bellydance and Burlesque show to the theme, "New York: The Big City"

July 8, 2011 Costas Opa in Fremont. Bellydancing at 7:30 pm (single set only).

July 15 - 17 Mediterranean Fantasy Festival, Hiawatha Center in West Seattle (my bellydance slot is 6 pm July 16 on the indoor stage).

July 21-24 Comic Con in San Diego, CA. If you're there, please follow me on Twitter, and let's Tweetup!

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