Posts Tagged ‘performance art’

Artwalk rEVOLVe Comes To The Old Rainier Brewery April 14 2012

Last year about this time, I was talking to a friend who lamented about the state of artwalks. He felt that they were hit-and-miss, lackluster outdoor art flings full of kitch-y commercial art objects for sale, and vendor booths with items stocked from your neighbor’s last garage sale. Having become a participant of the Old Rainier Brewery Artwalks, which run four to five times a year, I could have easily become defensive. However, I’ve perused a few artwalks in other neighborhoods and other states, and there is a ring of truth to his description. It begs the question of why anyone who is interested in art would wish to attend, let alone participate in, an artwalk. While I can’t speak for all of the artwalks (over 30+ and growing!) in Seattle, I can give you at least three reasons why Seattle peeps will want to come to the Old Rainier Brewery’s Artwalk “rEVOLVe” on April 14, 2012.

 

REASONS TO ATTEND REVOLVE AT THE OLD RAINIER BREWERY

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3150 Airport Way South, Seattle 98134
April 14, 2012 6-10 pm, with after-party by invitation

 Reason 1: Music and Performance Art

Music and performance art practices go on in the Old Rainier Brewery pretty much seven days a week. It doesn’t take a brain surgeon to figure out why our artwalk boasts some pretty awesome music groups, dancers and troupe, fire dancers, and other circus-type acts in our building.

In the case of the Hips For Hire studio, Hejira World Band will be joining us once again from 7 -8 pm for concert. They’ll be giving away a few house concerts     (remember to bring your business card!) during that hour, and if you can’t stay long, you can get your name in the bucket for the drawing. Hejira’s blend of world music with a jazzy feel makes our artwalkers happy!

 

 Reason 2: Weather Resistant

Currently, I’m watching a rain and hail storm scrub my windows free of bird poo and dirt. But when other artwalks run their events, weather can be a real factor into the enjoyment of the actual function. People don’t generally want to freeze their fingers in snow and hail, or risk their paintings becoming wet from rain and snow. These worrisome factors do not affect this artwalk. Not only do we have convenient parking onsite, our artwalk is entirely housed within the  building during the wet weather months. We have the ability to use more outdoor space during the summer months. Artists can be assured their art will be clean and dry.

 

Reason 3: Art by Artists for Everyone

One of the changes we made to the artwalk is to charge a registration fee for artists showing their work in the building. Running an artwalk is a big job, and advertising and organizing requires some money to offset costs for the posters, as well as maps for the artwalk itself. Since our building is huge and a bit confusing to first-timers, a map is absolutely necessary. But by charging a small fee to the artists who want to show, we get early commitments to show, the organizers get a chance to organize the art by floor and by host, and the public gets less kitch and more quality. While we might now have as many T-shirt vendors and metal toe-ring makers, what people do end up participating have thoughtfully constructed something for your artistic viewing pleasure.

It’s not very likely anything highly commercialized will be showing in our artwalk. Yet most of the artists are available to create on commission if you like their style and want something unique.

 

REVOLVE IN HIPS FOR HIRE STUDIO

For now, the artful presentations in the Hips For Hire studio are:

6-7p DJ attamc, and “Facial Karoke” with Imei
7-8p Hejira World Band (Don and Ashraf)
8-9p U-hoop and possibly another band

I don’t yet have anything planned for the final hour, except clean up and break down. That’s because it’s near my birthday, and I’ll be preparing to go to our after party, where three of us are having birthdays. I imagine there may be copious kitteh petting sessions, as some people have only met Ms. Lumi virtually. If you’d like to see what the fuss is about, check out my Pinterest page under “kittehs”.

Our faces use 43 muscles and access over 1000 expressions. Facial Karaoke is my unique presentation of recycling and borrowing expressions, allowing participants to explore feelings in a physical and visceral way without experiencing the actual situations that can produce them. This is a fun (and funny) way to learn expression, reading, and human connection that we all crave from the first moment our baby eyes open and see our first caregiver. All participation is voluntary. Facial Karaoke involves movement, observation, pauses, and inspiration from Butoh (modern dance from Japan). It is my attempt to help show you a little of my world as an artful psychotherapist, but with a humorous approach to educating others about emotions.

 

MY CAUSE BENEFITS YOU: DESIGNING YOUR PRACTICE, A BOOK WRITING PROJECT

As usual, parts of the artwalk will be on broadcast on Ustream.tv. Any donations to my studio’s artwalk presentation will benefit my book-writing project, Designing Your Practice: An Artist’s Approach, which is currently on Kickstarter. Professional book publishing (as opposed to a simple eBook) is a longer and more expensive publishing process, but one that is necessary for me to present a professional book able to hold up to scrutiny in the medical, mental health, and education fields. This book is about why and how re-infusing our daily practices with artful thinking is meant to change the way we do business, relate, and compassionately treat one another. There will be more information provided soon about my book writing process.

For the first time since I came to live and work from the Old Rainier Brewery, I’m using the artwalk as a way to present to the community my own shameless self-promotion. This time, the cause benefits you, because this book is being written for you — that is, artists, business people, educators, activists, free thinkers, professionals. I’m writing something that I believe will transform the way people think about ways of being and living, doing business, and helping others. I know that ultimately the book’s presence will be the present I give back to the world. While it may not directly feed a malnourished child in Africa, it indirectly teaches each person a response to their artistic and creative self that can easily lead someone to change their best practices to accommodate thoughtful giving to feed the world’s malnourished children.

If you haven’t seen my Kickstarter campaign video about the book, here it is:

 

By April 7, my campaign on Kickstarter will either be funded or canned forever. But the book writing project must continue, and I must get this book published. Whether it’s one dollar in a tin can at a time, or a generous angel investment (or something in between), I’ll continue to write and get this baby published.

Come one, and come all to rEVOLVe, or watch it on Ustream.tv/channdel/hips-for-hire-with-imei

 


Lusting For Brand Spanking New Art

It’s so freakin’ true, it hurts me to say it. We have a problem.

When it comes to music, there hasn’t been anything truly brand spanking new in terms of a music genre since perhaps hip hop. After rock, after pop, after hip hop, there’s only been pretty much rehash, retro, and auto tuning. It’s enough to make me consider carefully that by the time I’m in an assisted living home, the administrators are going to be playing auto-tuned versions of Rebecca Black’s, “Friday” song in the effort to keep me happy and calm, when in fact, this non-music will signal my greatest efforts to lobby for assisted suicide so I can save myself from fate worse than an earlier demise.

Do you see what you see? Do you look for brand spanking new art, or rehash and retro?

According to Jaron Lanier, author of “You Are Not A Gadget“, the digital age could have ushered in a wild and beautiful age of new music. Instead, it appears to have given the dullards and the cookie-cutter kids a clever tool to suffocate the masses with talent-free goop, right along with viral Youtube videos containing cats, and “aww”-provoking art targeted towards the 25 to 35 year old’s who have never known anything but MIDI-generated sound. [If you don’t know what MIDI is, I suggest you start with Wikipedia, and then find your way back to Lanier’s description of the effect MIDI had on the music industry].

But you know, it’s our own damn fault [you know, anytime you want to blame just about anything on anyone else, there’s always a few of your fingers pointing back at you for your inaction].

When we had a chance, we chose the technology instead of the band classes. We got excited when the first MIDI controller let us create endless, perfect loops of sound without distortion or variation. We trained a generation to prefer these undifferentiated, auto-tuned cold tones over the warmth of a human voice that quavers with emotion, or breaks and squeals. We voted up the double rainbow video. And we didn’t spend our dollars at local play houses. We didn’t even tell them how they could get us in their doors before they went belly up financially.

We applauded when photographers edited, removed, air-brushed, and changed the lighting. We gave our nods of approval when the squeak of fingers on guitar strings were removed from an album. We forgot what records sounded like. We positively reviewed bands who performed their music just like the albums we owned.

I use the inclusive “we” because even if you are finding yourself saying, “I didn’t agree, I didn’t do that,” you might have not done anything to stop technology from chipping away from the creative process that might have brought us brand spanking new art in this age. Like myself, you probably didn’t protest loudly enough when you had a chance. Now, I protest, and no one’s listening. They are too busy cutting band class out of schools, and making modern dance something only the rich can afford to teach their children as a hobby, and not a career boasting reasonable pay.

It’s not too late.

When you see really innovative art, dance, and music, get it in your mindset that you owe the world an obligation to tell others what you’ve seen. Don’t leave the world drowning in the most lost era of music ever. Perhaps with your help, we actually will discover and promote new music and dance styles, and new forms of art. They will find their way to Kickstarter.com. They will emerge. They will be seen. With your help, they will not be lost.

Have you seen something truly innovative lately? Do your part, and please share. The world will be a better place. And if you disagree, then tell me why you think I’m wrong. Supply us all with evidence to the contrary, and show me where new art is thriving enough that it can support the people who make it. Show me the numbers. Show me the money. Show me the art, dammit.


Hoop and Holler

If you follow me on my Facebook page, you might have noticed an entry about how my ear hurts. Having accidentally melted a small section of my oversized performance hula hoop on a hot light [oops!], I attended a hooping class with Thierany at Tin Can Studio, and borrowed one of her hoops. Unaccustomed to the weight of it, I hit myself in the head [and a couple of times in the ear] while trying to master the Vortex, a series of hand positions and turns that gives the audience the illusion of a smooth movement of the hoop traveling up above the head, back down to the hip, and above the head again. With the majority of bumps, bruises, and sore muscles of learning bellydance behind me, why on earth would I – or anyone – want to subject myself to masochistic injuries from a hard plastic spinning object?

WHY HOOP (AND HOLLER)?

The first time I dragged my hoop to the desert to learn how to make this circle of plastic piping dance around my middle, I could do nothing but pump and move around while pumping [whoop-de-doo]. When you watch professionals pump, it hardly looks like they are working it at all, but they actually are moving fast while making sure their hoop doesn’t lose velocity or enough contact at the two points of the circle that keep it going. After picking up a professional grade performance hoop, the first thing you notice is that there is enough movement going on for you to break a sweat in about five minutes! Hooping is no longer that thing you did in grade school with a light and flimsy neon-colored hoop. Hooping has become a serious art form and fitness craze, and it’s definitely not something as benign as copying a routine from Dance Central.  That being said, here’s some more reasons to take up hooping for more artful living.

1. Fitness. Yes, you will sweat if you take an hour long fitness-oriented hooping class. You will move, bend, duck, work your arms, legs, hips, and shoulders. But best of all, you will breathe, and that makes it — well, CARDIO. For a small investment of about $30, you can hoop at home and get a pretty decent cardio workout if you just keep moving.

At the advanced levels, you are doing catches and releases, floor work and lunges, kicks (passing the hoop under your leg as you do a high kick), and lots of spins [boy, am I glad I am comfortable with spinning].

2. Coolness factor. Do you have any idea how cool it is to hoop these days? You get great street cred and kudos if you can master a few hooping tricks because the speed of hooping makes everything look – well, cool and sometimes just down-right sexy.

Here’s a HoopGirl performance using LED hoops in a club:

BTW, HoopGirl founder Christabel was once a university professor before she found hooping, and now she teaches workshops internationally and performs hooping as her passion.

3. Fusion with present styles of movement. Hooping has the potential to be fused with a variety of dance styles. Do I need to spell this out for you?

4. Light (LED’s and fire). I’m ordering my first LED hoop from MoodHoops. While there are DIY videos and tutorials to help you make your own LED and fire hoops, I sense that I’d rather have someone who really knows what they’re doing make my hoop!

5.  Joy. Like most kinds of movement in dance, there is an emotion released right along with your sweat. A great reason to hoop is simply because it feels good, even if you never plan on performing in public [I, however, already have plans to perform in a show with other dancers *evil grin*].

What do you think? Would you like to give hooping a try? A few ways to get started:

* Purchase a hoop online:  Here is a link to an article on how to buy a hoop. http://www.squidoo.com/where-to-buy-a-heavy-hula-hoop

* Learn some basics from a DVD: I really liked HoopGirl’s hooping DVD, because Claribelle breaks down all the moves carefully, and shows front and back views clearly with professional video.

* Join a local class: just do an online search for “hooping”, “classes”, and your city. You should find a number of classes to join, or private lessons if you want to learn fast.

* Attend a hooping “festival”: there actually aren’t many hoop-centric festivals, but there are plenty of festivals of all kinds that invite hoopers to perform and learn from one another. My favorite is Burning Man, but Santa Cruz has also had a hooping contingent at their film festival, and other summer festivals often have hoop-crazed groups.

Ready… set… hoop!


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Seattle World Eats Upcoming Schedule

Do you live in Seattle?

Do you like world cuisine? How about world dance? Wine and noms?

I created #SeattleWorldEats for Twtvite.com, so locals could find out where I'm dancing, producing world dance shows hosted in restaurants and venues serving exotic food, or catching Hips For Hire branded events around town featuring the delicious cuisine and wine.

Next Seattle World Eats events:

June 30 2012 7:30 pm Bellydancing with Imei
Costas Opa in Fremont/ Seattle (I will have some special guests with me that evening, so come and join us)

July 2012 Spiro's (scheduled TBA soon)

July 15, 2012 Redmond Derby Days 5K Dash
http://redmondderbydays.com/5kDerbyDash/
Benefits American Pancreatic Cancer Society

July 21-22, 2012 25th Annual Mediterranean Fantasy Festival
http://babylonianensemble.com/
This is the first year in eight that I have decided to not perform, as I am currently on an aggressive book writing schedule. However, I'll probably peek my head to see the a few friends bellydance.

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